Through a blurry, fluid, and background randomly dissected by some diagonal strokes, several uncertain, twisted, and sad faces emerged, telegraphing the terrified and oppressed people in our uncertain and increasingly inhospitable time and climate, and they were my observation and report in my recent painting Piñatas. The fear, the apprehension in their averting eyes, and the tears streaming down their downcast faces, pulled in and turned away the viewers by our collective shame over our helpless fates and our inability to avoid disasters. We were all beaten piñatas.