Quietly “Waiting”

“Waiting” depicts an inconspicuous piano bar located in a large barn, when nothing is taking place and the instruments, along with odd furnishing and decorations, quietly waits for things to happen. A wide wall painted in muted green provides a delicate contrast and wonderful harmony to the shining black instruments. There is a gentle and slightly melancholic atmosphere in this sparse and old-fashioned space which is simultaneously inviting and impenetrable.

Waiting, oil on canvas, 22

Waiting
22” x 28”
Oil on Canvas
Completed in 2021

Featured Painting – “Forest Within” – When Reality Met Illusion

My 2005 oil painting Forest Within, currently showing at the McGuire Real Estate gallery in Berkeley as part of the “Crowded by Beauty” exhibit, is a play of optical illusion – the painting is a seemingly outdoor scene, yet the landscape is framed within a boxy confinement, and beams of light cast from behind and the shadows fall on the real or imaginary wall further enhances the blur of the boundary, where interior met exterior, reality met illusion.

Forest Within / 内置森林 / Innerhalb Wald
Forest Within
Oil on Canvas
24″ x 30″
Completed in 2005

Atmospheric “Stairwell

My 2000 oil painting, Stairwell, is a monochromatic and atmospheric piece, which captures when early morning light, through side window, penetrates the darkness in a narrow stairwell, casting bright light into the confined, darkness permeated space. Though means of chiaroscuro, together with more subtle interplay of light and dark, I managed not only to have created an overall dramatic atmosphere, also given a clear definition to the tricky space through receding orders, and added depth and accenting details to the sparse and otherwise flat and dreary confinement.

Stairwell

This painting has been snatched away as soon as the paint dried, and last week I received this notification from Owen Wister Review of University of Wyoming:

The OWR would really like to publish your art pieces “Ink and Watercolor Lilies,” “Stairwell,” and “Rafting” in this year’s issue. The colors in your pieces spark emotion in the composition and the texturized strokes are memorable in your work. Attached is a consent form; if you agree please print the form, sign it and scan it back, then email it to us or send it in by mail. Again we really liked your work.

I am quite thrilled and grateful for the recognition.