I took an abstract painting class recently, which had many assignment of reading, writing, and paintings. The intensive course demanded a lot of focus and concentration and I was able to push myself to produce some work I am quite happy with.
My 2022 oil painting, Stare, portrays a precocious boy who emerged from a chaotic and somewhat menacing background. The lighter and purer figure demonstrates the relative innocence of the boy, in contrast to the murky and impenetrable swirling background surrounding him like a maelstrom. The somewhat stunned or stupefied expression denoted the moment when his attention was caught, and he stared straight ahead as if confronting the viewers; a moment of a sudden turn of events.
This painting was published in February 2024 by Artistonish, Issue 43.
A quote from Karl Marx “All that is solid melts into air, all that is holy is profaned” perfectly capture our sad epoch and this monochromatic painting of a disintegrating city/landscape reflects such pessimistic sentiment.
My 2022 oil painting, Disperse, captures a hallucinatory moment of a nighttime landscape — between the silhouettes of two monumental and interlocking trees, a group of tiny figures scurrying by, running away from their familiar ground, their fates, their tormentors or captors. The specificities are intentionally omitted, so as to leave the viewers to interpret freely and to fill in the missing details, though the title does hint at diaspora stories in the headlines of late.
Disperse, oil on canvas, 20″x30″, 2022
This piece will be part of the juried exhibition “Within Sight or From Imagination” at GearBox Gallery, 770 West Grand Ave, Oakland, CA 94612 (August 10 – September 9, 2023). Juror: Jeremy Morgan.
Opening Reception: August 12, Sat., 1 to 4 pm | Juror’s talk: September 2, Sat., 2 pm
This 2021 oil painting recorded some “beached” refuges in their arduous journey for a better life. It has been included in the East Bay Artists 2022, published by ArtPush
“Luminous” is a translucent landscape in the midst of a thorough purification – loaded yet still airy rain clouds release a generous yet gentle downpour, which rushes into the solid ground and continues to overflow in the already soaked terrain. The dark clouds, and darker soil, rendered the space in between even brighter, as if backlit, glowing, and luminous. Above the warm earth, the cool rain and clouds leave a refreshing impression.
Luminous
9” x 12”
Gouache on paper
Completed in 2022
“Whirl” explores patterns, rhythms, and perspective in an abstract world consisting of a series of imperfect and progressively smaller concentric circles, which superimpose over a background of pale pink from the top and dark gray at the bottom, and vanish to the center of a muddied white hue, therefore lead the viewers to a hidden world somewhat beyond reach. The gentle contrasts amongst these muted colors, which seep into each other like liquids, enhance the impenetrability of the sphere.
Whirl
gouache on paper
9″x12″
2021
“Autumn Rain” is a semi-abstract inspired by a rainy landscape. I endeavored to capture the pleasant wetness enveloping the fields and hills, and the wonderful interplay of cool and warm hues in the rich fall season. Bold and patchy strokes obliterated the contours of easily identifiable objects and rendered the landscape into almost pure patterns and rhythms.
Autumn Rain
9” x 12”
Gouache on paper
Completed in 2021
“Immaculate” aptly summarizes its subject of the painting – several ethereal white lilies floating in an opaque water body, whose pattern resembles the other-worldly images transmitted by the great Hubble Space Telescope. These dreamily floating flowers and their irregularly patterned background, mesmerize and pull the viewers into the depth.
This painting was published by Your Impossible Voice as the cover art in their 24th Issue in Spring 2021.
Immaculate
gouache on paper
9″x12″
2020
“Waiting” depicts an inconspicuous piano bar located in a large barn, when nothing is taking place and the instruments, along with odd furnishing and decorations, quietly waits for things to happen. A wide wall painted in muted green provides a delicate contrast and wonderful harmony to the shining black instruments. There is a gentle and slightly melancholic atmosphere in this sparse and old-fashioned space which is simultaneously inviting and impenetrable.
Waiting
22” x 28”
Oil on Canvas
Completed in 2021